27 December 2020

Ceviche de Camarones: Recipe

CEVICHE DE CAMARONES

INGREDIENTS:

- 700 g shrimps with shell and heads (or 500 g if shrimps already peeled)
- 2 red onions (or 1 big)
- 5 lemons (or 3 big)
- 1/2 orange
- 1 tomato
- fresh cilantro (50 g)
- 3 teaspoons ketchup
- 1 teaspoon mustard
- salt
- water
- black pepper (optional)
- 1 teaspoon of vegetable oil (optional)
Ingredients overview

DIRECTIONS:
THE ONIONS & LEMONS:
  1. Slice the red onions in julienne strips. Then, rinse them with water and squeeze dry. Place the sliced onions in a bowl, drain the water and squeeze the lemon juice on the onions to cure them. Limes can be used as a substitue of lemons. Add two or three pinches of salt, stir, and marinate for a 30 to 40 minutes preferably in the refrigerator: this step is very important to remove the onions' bitterness.
Marinating the onions


THE SHRIMPS:
  1. Wash the shrimps. Peel them and put their skins and heads into boiling water for 2 minutes. The amount of water should be just enough to almost completely cover all skins and heads in the pot.
  2. Remove the skins and heads from the pot and place the shrimps into the water and let them boil for some 30 s or just until they start to turn red. Do not overcook. Place pot with shrimps aside.
THE REST:
  1. Cut the tomato in small dice.
  2. Cut the cilantro leaves in small pieces.
  3. In a small bowl, mix the ketchup with the mustard well and squeeze the orange. Mix again.
  4. Pour the ketchup-mustard-orange mix to the pot with the shrimps.
  5. Add the tomatoes and the onions WITH the lemon juice to the pot with the shrimps. Stir gently.
  6. OPTIONAL: add a teaspoon of vegetable oil and one pinch of black pepper.
  7. Taste for salt and add more if necessary.
  8. Finally, toss in the chopped cilantro.


Ceviche is served cold and should be kept refrigerated. It is recommended to marinate in the refrigerator for at least 1 hour before serving.



GOES WELL WITH:

- Sliced avocado.

17 November 2015

The story of my East Prussian roots. Part II

Curonian Spit and
 Curonian Lagoon
Where in the world is Memel? Why can’t I find it in a world map? Hold on: if it’s a German city, why do my searches keep redirecting me to Klaipeda, a city within Lithuanian borders? So many unanswered questions. This place is so geographically far away from Germany! I must have mixed the names up. What an interesting and unique topography, though! A 100-kilometer long strip of land, so slender and yet so stout, menaced by a threatening Baltic Sea and preventing it to absorb an apparently defenseless lagoon. I definitely had to go check this place out, even regardless my ancestral ties to it.

When planning this quest for traces from the past, the first natural question that arose was how to get there; what are the nearest airports? Riga? Kaunas? Sure enough there must be flights from Germany. And yet, the charm of that place is its bond to the sea. There had to be a way to get there by water. Plus, a ship trip on the Baltic Sea has to be a magnificent experience. So I started to check out possible embarking ports. Kiel, Copenhagen, Malmö, Karlshamn, Danzig, Stockholm.

All very attractive alternatives for the travel enthusiast I am. By and by the Baltic Sea became a major interest for me. And being Memel so connected to it, I decided to take the journey to the next level and explore as much as I could from that region. The travel route I came out with can be seen in this map:
Red: Journeys by train. Green: Journeys by ship. Blue: Journeys by bus. 
I started by flying from Stuttgart to Copenhagen and I spent a couple of days in this lovely city. An immaculately clean city with a seaport flair: neat parks, fancy yachts, and fresh fish. Then, off to Malmö by train: a train that first goes over a bridge over the sea and then sinks underneath it only to reemerge on the other shore, in Malmö, Sweden. A magic trick. An impressive feat of engineering. I doubted whether or not my grandfather had been to these Scandinavian places, but realizing I was in the vicinity of territories so familiar to him and so alien to me, gave me the chills; as much as I was enjoying these Swedish landscapes, I couldn’t wait to get to Memel. From Malmö off to Karlshamn by another train, the ride on which was a real bliss. I have heard complaints about Swedes and their trains, but hardly have I felt more delighted in any other train journeys. Now Karlshamn is a cozy and charming little town, worth a separate blog entry for itself. I will proceed to describe the Memel part of this trip though, and get back to Karlshamn in another occasion.

14 November 2015

My Review to The Centaur by John Updike

The Centaur is written in such a way that it results pleasant and easy to progress through its pages. It's an interesting story that revolts around a series of events throughout 3 or 4 days. And yet, the author manages to introduce so many perspectives, both through the eyes of different characters or from different times; sometimes retrospectively, sometimes right from after the events took place. In the novel there is steadily an aura of mysticism by which the reader gets baffled and hesitates as to whether the author was simply narrating the events or there is indeed an intrinsic, transcendental or metaphoric meaning. Especially due to the several parallelisms between the novel and classical Greek mythology.
Given my restricted knowledge of said mythology, I believe I may have failed to understand much of the exquisiteness of this book. And I must confess I couldn't quite explain why the book is called The Centaur. In my humble opinion, that's a much to large name for this Updike's novel. Nonetheless, I enjoyed the book altogether. I don't know why but I specially liked the scene where father and son struggle through a rough winter storm to make it back home to their family. I admire how the moral values of both parents prevail in spite of their personality flaws. Although many passages are melancholic, many of them are, at the same time, narrated in a hilarious way. This reveals the talent of the author.

Funnily enough, there is one interesting connection between this book and another one I recently read: The Goldfinch. Peter Caldwell, the kid in this story, is a huge fan of Johannes Vermeer: a pupil of Carel Fabritius, the painter of The Goldfinch. 

08 October 2015

The Goldfinch. My review.

The Goldfinch is a painting by Carel Fabritius from the 17th century. You should gather some information about it to better understand and enjoy the novel. It’s a really impressive art piece, totally unusual for its time; simple, plain and yet so enigmatic and beautiful.
The Goldfinch by Carel Fabritius

I will start with the novel’s narrative. Despite being a rather lengthy book, the Goldfinch is easy to swift through. The writer made a good job keeping the story always interesting and making readers want to find out more about the main character’s adventures, much in the way Daniel Brown does (though slightly inferior in my opinion). There are indeed slow, somewhat boring passages, but they’re rather few.
I like classic, 19th or early 20th century novels and reading this totally recent book made me realize why: old novels have the magic that it feels like you’re listening to people from another time age; classic books are like time traveling in a way. They make me realize how different life was. Things we take for granted, like cars or telephones, didn’t exist at all. Reading how people back then communicated or traveled never fails to amaze me. Contemporaneous books lack this charm. And it is hard for me to seize their value. Like political or historical heroes, it is only after a time that the true dimension and grandeur of a literary masterpiece can be fairly appreciated. 
There is also the question between movies and books. I like both, but I believe some stories are more suitable for reading and others for watching. Being the writing style a major aspect for me to evaluate in a book, a contemporaneous book with an interesting storyline, like the Goldfinch, is in my opinion better enjoyed in a movie theater. In short: the story being told is interesting, but the literary value gained by reading is not that high.
The story flow is straight. The first 30 pages are so charged of events and emotions that you just want to keep reading. They are surprising, unexpected, thrilling, heart-touching, sad. And it goes on in this fashion throughout the book. However, the more pages you are into the book, the less I liked the main character. At first I felt compassion for him, and admiration for holding up so well after such a great loss. He seems to be a down-to-earth young boy, but this image is deceiving, as I discovered later on, and the dislike grew so much that, at the end, I didn’t like him at all.
I don’t like the image portrayed by the author that drugs and alcohol are not really that bad, and that you can succeed anyway; that money comes easily; that fooling is alright. Another thing I don’t like is that Theo, the main character, doesn’t want to progress in life, he’s stuck there, waiting for things to just work out on themselves. Surely losing his mother is a great loss, I totally understand that, I would like that to happen to me at all, it’d be the worse, but, to honor my mother, I would try my best to succeed, to show the world that she raised me well, to make her proud of me up there in heaven.
The story as a whole goes quite well until about page 600, with events that could totally happen in real life. And then there is a sudden twist. A sudden turn to surreal and unlogical and cheap Hollywood-ish ending, with guns, gangs, clueless police. Why in the world did he have to go to Amsterdam? How did he allow to be convinced so easily? Why all so sudden? I had the impression the writer wanted to just wrap up his novel, realized she had no more time (maybe her train was departing) and switched from a reasonable narration into a hurried, fictional and impossible series of events. I felt she wrote the first 500 pages in 1 year and the rest in 2 hours. Or that she wrote the first 500 pages herself and delegated the last ones to a teenager on the street.
The last 10-20 pages are a real masterpiece though. They are powerful and so charged with meaning. It definitely makes you analyze your own life and gives you good energy vibes. I can only recommend them.
As to the Boris character, I think it was exaggerated so that it made him seem a tiny bit unreal. If you are picky enough, you can find incongruences in his life story, there are things he couldn’t have done at the mentioned times.
Hobie is by far my favorite character. He is humble, genuine, very honest and has a huge heart. In real life he might be a little bit boring; I wouldn’t go out to a party with him, but definitely a good friend to rely on.
Another good thing: the idea of having something hidden that no one should see, otherwise you would get into trouble. I had the same feeling as a child, of course I hid no treasures, but still.
In short: first 500 pages or so, nice story, enjoyable, amusing, good quality. Pages 500 to 10 pages before the end: lame, forced ending. Last 10 pages: magnificent reflections! Life lessons! I would have to underline them all. I would definitely read them again and again. As a whole, however, I definitely enjoyed reading the book. 

13 September 2015

The story of my East Prussian roots. Part I

I made such a fuss about this family Königsberg story that now I don't know where or how to start. I hope I manage to tell a story that lives up to the expectations. To tell this story means, in a way to tell my own story, so I think that's how I'll start.

I was born a good Monday morning in Guayaquil, Ecuador, to Bolivian parents. My mother’s side has a rather important Spanish ancestry, mostly from the Basque Country, a distinctive region with a millennial history in the north of Spain. As a result of our colonial past, we Latin Americans are a mixture of three groups of races: European (mostly Hispanic), Native American and African (for myriads of slaves where brought by the conquistadors for the hard labor).

German surnames, though, are not that common in that part of the world. When I was a child, Germany was a distant place somewhere in Europe where it was cold; where cars came from; where Playmobils came from. Later, it was also that fearsome soccer team that could defeat my dear Brazilian team. And then, sadly enough, it was the country where Nazis came from: where all the bad guys in war movies came from; the country with that horrible-sounding language.

It was known to us that my grandfather was half-German; that his father had been sent to South America, had gotten married, had had children, had established there and had never made it back to his country. My grandfather Erich was very talented; I always thought highly of him: he was able to build river boats, fix any electricity problems, fix roofs, set up traps for menacing animals, prepare pizzas, and so on. His father used to speak German to him, so he spoke it, too. We knew it, but unfortunately we never took advantage of it; we never asked much about his father. It is a real pity that he passed away before our interest for his father’s homeland arose. There are so many questions we would have liked to ask him.

After graduating from the university I decided I wanted to pursue a master’s degree in Germany. My curiosity about Germany had been growing and I got interested in the German language and the German culture. I was often amazed by small things, trivial aspects of Germany that reminded me of my grandfather’s ways. It was like understanding in many ways why he was the way he was. Naturally, I had thought of searching up relatives of my grandfather, but being Hoffmann such a common German surname, and with little notions as to where or how to start, I deemed the task impracticable.

Once, looking into some old documents, my parents stumbled upon a certificate that stated that my grandfather’s father, Erich Hoffmann-Szemkus, had been born in a town called Memel, in Prussia. Little did we know by then about Prussia. We knew our ancestry was German, but Prussia was hitherto a totally unknown term. Even more amazed was I after finding out that Memel was now called Klaipeda and that it was a port city in Lithuania. This fact puzzled me. I had not expected my great grandfather’s hometown to be so far away from “Germany”. I could not leave the matter just like that, I had to find out more. What was this territory? What is that German city doing up there so “lonely”? I was determined: I had to go check that place in person.









A Review on Jane Austen's Mansfield Park

Two stars. There were moments during the reading process when I was more inclined to assigning three stars, but some other moments definitely would be overpraised if granted one star. Generally what I admire in Austen's work are her acute literary style at the portrayal of her characters and her elegant depiction of lifestyle back on the 19th century. I like the language and figures of speech that she use and I like the chance to see how the English language was 200 years ago and I like to  read how life in England was back then, narrated by a person from that period. That is something that fascinates me from classical books: it's the best shot you have at listening to stories told by people from the past.

That being said, I didn't enjoy Austen's language exquisiteness. The book is, all in all, by no means a great piece of art. The characters are too shallow; I didn't get the feeling I was "getting" their personality. The story line seems too unnatural, too forced, too predictable. After reading the first 30 pages I had already figured out a possible ending for the novel and, yes, I was right! That is a way too straightforward a story!!! Some passages are okay, but in very many you just wonder why so much time is spent in non-crucial events; why is the time flowing so slowly.

Books have to be evaluated taking into account what was happening in the world in that point in time. Mansfield Park is pioneer in discussing women's choice on marriage. Back then it was totally unheard-of for women to decline or question men's decisions. I can imagine the amount of discussions and criticism the novel might have raised upon its release. Evidently, reading the book nowadays, we are no longer stunned by this subject; enough material on it is already out.

So, yes, the book is not the cleverest choice. I was also left wondering what ever happened to the horse Fanny was supposed to get. Did she ever get one for herself? Why did she or Ms. Crawford suddenly stop riding horses or how did it stop being an issue? I guess we'll never know.